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MERAVIGLIE DAPPERTUTTO #9

Great recordings from the seven corners of the internet carefully selected by the Sistemi Audiofobici Burp staff. 

WJM and DJ Baba Giovanni Bauli select 5 jems for your listening pleasure. Enjoy

Dead Kennedys  
Live at Earth Tavern: Portland, OR [1979.11.19]

through know your conjurer

This here is an amazing set from 1979 with very good sound quality. Highly recommended!! “Too bad for you, no heavy metal music for you- disease music instead!” - Jello (track 11)

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 Shirley Collins and the Albion Country Band
No Roses 

through Weird Brother

No Roses is an album by Shirley Collins and the Albion Country Band. It was recorded at Sound Techniques, and Air Studios in London, in the summer of 1971. It was produced by Sandy Roberton and Ashley Hutchings (Shirley Collins’ husband at the time). It was released in October 1971 on the Pegasus label. It is very unusual to have 27 musicians and singers on an album of traditional folk songs. It happened because people simply dropped in during recording sessions and were asked to join in. At the time, the most unusual sound was the hurdy-gurdy, now heard much more frequently. “The Murder of Maria Marten” is broken into segments, with a heavy-rock alternating with Shirley’s voice accompanied by a simple drone. Shirley had used a similar technique on “One Night As I Lay on My Bed” on “Adieu To Old England”.

Personnel ▪ Shirley Collins - vocals ▪ Ashley Hutchings - electric bass guitar ▪ Richard Thompson - electric guitar, acoustic 12-string guitar ▪ Maddy Prior - vocals ▪ Colin Ross - Northumbrian small pipes ▪ Simon Nicol - electric guitar ▪ Lal and Mike Waterson - vocals ▪ Royston Wood - vocals ▪ Barry Dransfield - fiddle ▪ Dave Bland - concertina, hammer dulcimer ▪ Ian Whiteman - piano ▪ Roger Powell - drums ▪ Lol Coxhill - alto saxophone ▪ Alan Cave - bassoon ▪ Tony Hall - melodeon ▪ Dave Mattacks - sticks, drums ▪ Dolly Collins - piano ▪ John Kirkpatrick - accordion ▪ Nic Jones - vocals and fiddle ▪ Tim Renwick - electric guitar, acoustic 12-string guitar ▪ Francis Baines - hurdy-gurdy ▪ Alan Lumsden - ophicleide ▪ Steve Migden - French horn ▪ Trevor Crozier - jaw harp

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Various Artists
Rutles Highway Revisited

through Rocket Remnants

The Rutles, in their original conception - a Rutland Weekend Television spin off called All You Need is Cash, a spoof documentary now considered to be pioneering and truly seminal (it’s still stands up well: funny, smart and wonderfully constructed) - soon gained cult interest, and on the back of the TV movie, several recordings were released; featuring Eric Idle (initially), Ricky Fataar (ex-Beach Boy [Holland period]), John Halsey (ex-Timebox, Patto, and acts far too various to mention), Ollie Halsall (ex-Timebox, Patto, Boxer, and again many many others), and at the helm, musical director and song writing genius Neil Innes (ex Bonzo Dog Doo-Dah Band and occasional Python).

You don’t necessarily have to know the recordings of The Rutles to appreciate this collection - although that does add something to the gratification of this product - but like all good cover versions the songs stand up very well on their own - no doubt in part as a consequence of reverence and homage - but the collection is still very strong throughout. When I listen to it I skip nothing; each song, no matter what the genre, compliments perfectly through its juxtaposition; creating a fantastic listening experience from beginning to end.

Galaxie 500 - Cheese and Onions
The Pussywillows - Hold My Hand
Bongos, Bass and Bob - Number One
Lida Husik - Good Times Roll
Dogbowl - Another Day
Das Damen - Piggy in the Middle
Syd Straw & Marc Ribot - I Must Be in Love
Joey Arias - Nevertheless
When People Were Shorter & Lived Near the Water - Let’s Be Natural
Unrest - Between Us
Peter Stampfel & The Bottlecaps - Ouch
The Tinklers - Blue Suede Schubert
Tuli Kupferberg - Living in Hope
Daniel Johnston - Baby Let Me Be
Uncle Wiggly - It’s Looking Good
Shonen Knife - Goose Step Mama
Jellyfish Kiss - Get Up and Go
King Missile - Doubleback Alley
Paleface - With a Girl Like You
Bongwater - Love Life

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The Obsessed
Instrumental 7”

through Good bad Music for bad, bad Times!

This never came with a picture sleeve and it bears no information other than the pencil writing on the label and what the tail-out grooves say. The a-side matrix has the following etching: “160080. The Obsessed (Project”) and the b-side reads: “160081. Wino & Company”. Allegedly, 200 copies were printed and available through mailorder only.

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Johnny Otis and Etta James

through Big 10-Inch Record